UNTITLED, Art San Francisco
Pier 35
Booth B17
January 17-19, 2020
VIP Preview: January 16, from 2-8pm
re.riddle is pleased to announce its participation in UNTITLED, San Francisco 2020 at Pier 35 from January 17-19, 2020. The VIP Preview is Thursday, January 16, from 2-8pm.
Come visit us at Booth B17, where a presentation of works by Kai Chen (Shanghai, San Francisco) and Odonchimeg Davaadorj (Paris) will be exhibited. Kai Chen is a recipient of the Swatch Art Peace Artist Residency and Headlands Center for the Arts Graduate Fellowship. Chen's large scale, abstract pencil drawings, rendered with innumerable layers of color, attempt to complicate the relationship between gestural mark-making and notions of masculinity as dictated by the mid-20th century Abstract Expressionists.
Odonchimeg Davaadorj has exhibited internationally in Paris, Rome, Mongolia and is an awardee of the prestigious ADAGP Prize Salon de Montrouge and Le Galerie Premier Regard, France. Her figurative depictions offer an intense, enigmatic and poetic exploration of the body, life and the world beyond via small scale works on paper.
Included here are a few highlights of the show. For inquiries, feel free to contact us at info@reriddle.com
Above image: Odonchimeg Davaadorj, Empire of Meaning, 2017, Ink on paper, 28 x 21 cm.
Odonchimeg Davaadorj, Self-Portrait (Horse), 2018, Ink on paper, 17.5cm x 25cm
Odonchimeg Davaadorj has exhibited internationally in Paris, Rome, Mongolia and is an awardee of the prestigious ADAGP Prize Salon de Montrouge and Le Galerie Premier Regard, France. Her figurative depictions offer an intense, enigmatic and poetic exploration of the body, life and the world beyond via small scale works on paper.
Odonchimeg Davaadorj, A page from her book, EEJ ("Mother" in Mongolian), 2014, Indian ink on canvas, 30 x 42 cm
Kai Chen, Flesh, 2018, Color pencil on paper stretched over muslin, 172 x 152 cm.
Kai Chen is a recipient of the Swatch Art Peace Artist Residency and Headlands Center for the Arts Graduate Fellowship. Chen's large scale, abstract pencil drawings, rendered with innumerable layers of color, attempt to complicate the relationship between gestural mark-making and notions of masculinity as dictated by the mid-20th century Abstract Expressionists.
Kai Chen, Queer Sublime series installation, Color pencil on paper stretched over muslin, SFAI, Fort Mason, San Francisco.
For inquiries, please contact info@reriddle.com